Athison is a young brand created from a centenary of experience. It may seem strange but in fact, in Italy, these things happen. Many of the artisan businesses of the past, are today in the hands of children and grandchildren, new generations who proudly preserve the family experience. In Villadossola, in Piedmont, a premises of 8000 metres has been accommodating the Polli family company for some years: its name is Manifattura di Domodossola because it was established there in 1913. A real industry, a thousand machines and 75 people who produce unique items: this also happens in Italy.

Let me introduce Giulia Polli who, together with Silvia, represents the fourth generation of the family. The same family has “held the reigns” of the great Manifattura di Domodossola for over a hundred years.

What happened after the two world wars? Why did the company decide to specialise in weaving?What was the demand like at that time?

Let's take a step back. During the period of the world wars, our company, the Manifattura di Domodossola, was already specialised in weaving yarns but with different functions: they produced ship ropes, cables or cotton laces for shoes, also supplying the army . Around the 1970s, my father had the idea of also introducing other materials to be woven such as polyester for example, which made laces that were indestructible and never broke. The other idea was to produce other items: in those years the first men's belt with woven leather and viscose rayon was produced. Today we weave many materials: linen, wool, cork, copper, etc.
We realised that that the weaving technique could be very convenient and beautiful but above all unique, for the production of accessories for men and women and for dogs!
Athison Leather Weekender Athison Leather Weekender

Athison

Athison Leather Weekender

2.200 (TaxFree: 1.803)
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Athison, like Oxilla, was established under female leadership. Why? What did you believe in compared to those who preceded you?

Yes, these two brands were created when me and my sister Silvia arrived in the company. We thought it was time to finally take possession of our attribute and thus the art of weaving. Today we have 8000 square metres of machines and we are very strong in production. It was a spontaneous decision to invest in something that was only ours, entirely produced by our hands and in our company.

Today Athison produces accessories of the highest quality, mainly characterised by threads that intertwine to form unique weaves and patterns. Who buys these items?

Regarding rucksacks and bags, men and women who are looking for true quality at the time of purchase, who are looking for something unique and don't want to identify with a famous brand, on the contrary they look beyond the brand. Those who recognise the value of Made in Italy, its raw materials and its production processes. For example, we only use natural leather that is naturally tanned. Although we Italians produce all this, it is the people who live abroad who are more attentive to quality and detail.
Our bags are unique pieces, timeless models that do not follow trends. They are not cheap due to the very long production times: the weaves are not simple and we have learned to assemble the bags "in-house" to have greater quality control and be more precise.
Briefcase Athison in Pelle Briefcase Athison in Pelle

Athison

Briefcase Athison in Pelle

1.779 (TaxFree: 1.458)
Out of Stock
Briefcase Athison in Pelle Briefcase Athison in Pelle

Athison

Briefcase Athison in Pelle

1.779 (TaxFree: 1.458)
Out of Stock

What are the processes that you carry out by hand in the production stages of a bag?

The weaves are done by machines (built over the years for us, according to our needs); materials and fabrics are cut with the laser cutting machine, while the bag is assembled entirely by hand.

What is the environmental impact of Athison production?

It seems that it is now a trend to talk about corporate eco-sustainability. We were already aware of it twenty years ago. We have always used natural products and water-based dyes without toxic substances. We have a certain responsibility towards the 75 people who work with us.
We make wax finishing with potato starch, an ancient and all natural process that does not cause allergic reactions for the final consumer. As regards tanning: the animal's skin has scars, lines and wrinkles that with chemical tanning you can completely hide, as if they were defects. We, however, follow another school of thought. Our tanning reveals these signs and furthermore the leather is heterogeneous, with more or less absorbent areas, so the colour looks different. For us, these are not defects, they are positive qualities.
Athison Gray/Black Leather Bag Athison Gray/Black Leather Bag

Athison

Athison Gray/Black Leather Bag

950 (TaxFree: 778)
Out of Stock

The Domodossola factory, established shortly before the two wars, specialises in the art of weaving, a process useful for supplying ships and armies with cables and ropes. Immediately after, understanding the value and unique aspect of this technique, the Polli family began to imagine the various and new uses that weaving could have and thus the idea to produce belts, rucksacks, bags, dog leashes, etc. Accessories different from what had been seen up to that point, not only from an aesthetic point of view but also from a functional point of view: more comfortable and flexible belts or stronger bags, made from weaving leather and copper, for example.

Today Athison is a special brand like the weaves that characterise each item made. Cotton, wool, viscose and leather yarns, copper and cork threads that create sturdy, durable fabrics with an unmistakable style. Timeless accessories that do not follow trends but only Italian good taste. Those who choose an Athison bag do not buy the brand but the quality: Athison is destined to arrive in the hands of those who recognise the value of an art, that of the weaving that has taken the company to the top. High quality raw materials and natural processes that respect the environment and people, those involved in production processes and those who buy and wear the accessories. Within the huge Factory, the industrial innovation of looms and a young female leadership are intertwined with the history and natural tanning methods, already used by the Egyptians, for dyeing leather using vegetable tannins. The result is a refined Made In Italy accessory that combines Italian savoir faire with modern style.

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The Squillace family that is behind Omega Gloves make their items as Naples teaches — or more specifically — as the neighborhood of Rione Sanità teaches.

Twenty-five steps, the same ones back from the Bourbon period in Italy in the South that witnessed the birth and succession of a large number of artisans. Omega is the name of the family business that Alberto today, a 5th generation maître guantier, runs with passion and with all the experience developed as a child alongside his father Mauro.

The oldest glove shop in Naples still produces “leather hands” today with the best raw materials available, such as strong lambskin and cashmere for the comfortable inner linings. The works, carried out with the fascinating Singers of the past and by the skilled ladies of the district, are true works of genius.

Proud of keeping a part of a Neapolitan tradition in their hands, the Squillace family design items without trying too hard in seeking a nod from the fashion industry. Those who choose to wear Omega already have their own style, certainly elegant and refined. The quality of the materials used and the work done in an Omega glove are first perceived with the eyes, where you cannot help but observe the details, then with the nose with that unmistakable smell of leather, and then with the hands, when you touch the softness and warmth of the selected fabrics with your fingers.

An art that now remains in the hands of a few: what does "knowing how to make gloves" mean in 2020?

Yes, they can now be counted on the fingers of one hand. During the Kingdom of Naples, there were almost fifty glovemaker workshops but over time these activities have dispersed. We have been making gloves for five generations, always in the same place, Rione Sanità. For this reason, we have a great responsibility which, however, gives a lot of satisfaction. I feel lucky to be one of the few witnesses of the art of knowing how to sew gloves. Indeed, calling them gloves is an understatement: they are important elements of the Neapolitan artisan tradition.

How has the demand for gloves changed from 1923 to today?

Today, gloves are back to being a habit. In recent years, they had become a functional accessory but, fortunately, the search for beautiful things, quality products is returning. Gloves are not just an accessory but a symbol of elegance.

How should gloves be matched according to the Squillace family? What are your style tips for wearing them?

In the Squillace family, we always recommend matching them with a tie or scarf, a coat, and also with a hat if you wear one. Speaking of color or trends, in reality, I think it is a personal and subjective choice. Indeed, since they are always unique pieces, when people come to buy from me in the company, I always say that: "it is the glove that chooses the person and not vice versa".

How should the gloves be looked after? Are there any particular precautions or conservation techniques?

This is an excellent question, very useful for those who want to preserve a leather glove over time. To wash or remove stains from a glove, simply moisten it with warm water and wash with a neutral soap, as if you were washing your hands. Many have irreversibly ruined our gloves because they have used creams and waxes for leather shoes, but the leather with which we sew our gloves is very thin and delicate, so aggressive detergents cannot be used. Drying is also an important phase. You should not subject the gloves to heat sources to dry quickly. Let them dry naturally at room temperature. When I get home after a rainy day, I wrap my gloves in a towel to protect them and dry them gently.

From the Bourbon Kingdom of the two Sicilies to today, the glove is Made in Naples. At that time it was worn with a symbolic value only by certain social classes. Who likes to wear "leather hands" today? Are they still a status symbol?

It is no longer a status symbol but represents a very specific style: the contemporary dandy, for example, or those who love to be elegant at all times, regardless of the occasion.
Even young people are becoming interested in the world of gloves, they are beginning to recognise and appreciate quality and beauty, the principles of our philosophy. Our leather gloves are a pleasure to wear: lined in wool, Como silk or Biella cashmere, they not only warm the hands but are anti-stress, because they relax you with the unique softness of the raw materials. Today gloves are not only worn to protect yourself from the cold since we also produce unlined gloves, with a retro look and made with the crochet technique.
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Sicily is one of those places that remains in the heart for many reasons. A splendid Mediterranean island which, together with the other nearby peninsular regions, forms the South of Italy.

It is not just about proximity to other regions: Southern Italy is a melting pot of traditions and know-how that emerges through the arts and the taste of its products, a blend of elements that, in turn, represent Italy all over the world.  Along the Madonie mountain range, in a splendid village called Petralia Soprana, Atelier Giuseppe Lavore preserves part of the knowledge and skills inherited from the surroundings. Haute Couture outfits are made every day in the workshop.

Inside Atelier Lavore, every outfit embodies the tradition of Palermo and the exquisite style of Italy. There are many features that distinguish a custom-made outfit from the mainstream offerings, but what you immediately notice is the perfect fit and timeless elegance.

Made in Sicily artisanship— from cooking to ceramics, from embroidery to fabrics—has a soul that shows itself to lovers of beauty. This very soul can be found at Atelier Lavore, a modern workshop that has entrusted the use of innovative tools to the skilled and skillful hands of artisans.

The result? Suits of yesteryear, as fine as they once were and still as much in demand and as stylish today, made for the refined man, with a bold style that does not seek to conform. Put simply, suits “with no expiry date”.

We learn more about the Atelier through the words of his son, Luca Lavore.

Sicilian tailoring tradition has a long history, written by many small family businesses that over the years have preserved and handed down their art; a high-quality handcraft bearing the Made in Italy hallmark. Are there any details that distinguish Made in Sicily from other Italian brands?

Where other tailoring traditions show off distinctive and redundant elements in designs that sometimes do not require them, Sicilian tailoring has always maintained a balance between technique and style. Made in Sicily speaks for itself, without necessarily having a particular feature that accentuates the character of the garment.

How much does the quality of the fabrics affect the creation of an haute couture piece?

The quality of the materials is as important in tailoring as it is in other sectors. Firstly, because during processing, a good fabric makes the most delicate stages much easier (think of ironing, which is almost the art of sculpting with steam). Secondly, and no less important, because a garment’s durability and appearance reflect its properties of quality and texture. We have always selected our fabrics from the best producers in Biella.

There are many stages in the manufacture of men’s trousers, which often only require the use of the hands. Considering that any production has become digitally feasible, do you think that preserving these methods still is a matter of tradition or innovation?

This is a valid question, which still sparks debate among professionals in the business. Being too conservative has never led to anything good. It makes things boring and alienates the present-day consumer. It is possible these days to achieve the right compromise between manual practices that give added value to a garment and working with the aid of mechanical tools, which must always be controlled by expert hands. It is no coincidence that over the years we have remained open to innovation and not a day goes by when we do not keep ourselves informed of new techniques. Nevertheless, we are one of the few tailors in Italy to use CAD software with our garments, which has a particular propensity for bespoke garments. In the classic methods of working, the key is to do things well, and a good craftsman is one who uses machines and technology to achieve the best results.

What type of man would look to wear your trousers? Are young people attracted to bespoke tailoring?

The men who wear our trousers (but also the other garments) are likely to be from a variety of backgrounds — for example, the tailoring enthusiast or the professional who has particular requirements relating to their work or the season. The people who should wear them are those who want to enhance their image and who are keen to be identified as modern consumers, those who prefer to buy very little but buy well.

Young people are not attracted to tailoring in the first place, the fault of the often old and self-referential communication of traditional tailors. But with a shopping journey and an appreciation that sometimes starts in shopping malls and then moves on to more refined shops, they can arrive at the tailor’s with certain preferences and the desire to have what others do not have.

Regarding the perception of Giuseppe Lavore garments abroad — what makes Italian workmanship so unique — What makes them foreigner seek it out?

When our foreign customers meet us for the first time, they are pleasantly surprised by the wide range of fabrics and the option to customize the garment to their specifications. In addition to this, they identify the right distinction between types of production processes best suited to their chosen fabric and their intended use of the jacket, pair of trousers or suit. Italian garments are unique because they possess a style of their own, based on years and years of tradition because even in the era of clothing overproduction, they are able to tell their story and make the wearer feel confident.

Does fashion influence men’s haute couture? If so, what are the next trends for the winter season within the wider world of trousers?

Generally, this isn’t the case. Men’s tailoring is largely dominated by clients who have their own well-defined style. They may be influenced by a particular color that is actively promoted by the media, and therefore adapt their preferences to reflect the latest trends.

The balance between craftsmanship, modern emphasis on detail and attention to sustainable production is certainly not a simple goal to achieve nowadays. However, fashion accessories and clothing by Stefano Cau follow this intricate path towards perfection, evolving with every step but always with a look towards the centenary teachings of our country in terms of tailoring. Cau, whom we met on the occasion of Pitti Uomo 2020, was offered the chance to join the family business, which till today, still deals in accessories, namely ties and foulards. As time went by his passion for this work grew and matured together with the time spent in the company, until he started his project in 2005, when he decided, after building a solid experience, to develop his own line, creating a product that represented him and that corresponded to what his taste is. Each piece designed by Stefano Cau shows sophisticated geometry and complicated simplicity, inspired by historical periods such as the 1920s and the 1950s, and is 100% made in Italy, crafted by people who are abundant in artisan experience, with precision and attention to detail: from the fabrics, weave and texture to the quality of workmanship. What are the secrets to creating a similar “collectible” product? Here’s what the designer revealed to us.

How did the desire to take the lead of a family brand come about, and with what aim?

The goal was to create a very specific identity, a niche where a tie had a different and higher value than the "medium" presence on the market. In the last fifteen years, for example, the production of ties in Como has dropped considerably due to the companies move to China. We wanted to create a strong quality and exclusive image, and this clearly bears fruit.

You take inspiration from past decades, and in particular from the 1920s and 1950s: can you tell us what influenced your creative vision for each of these periods?

The 1920s are linked to my great interest in Art Liberty and Déco, with beautiful square shapes or very fine and elegant details. An era also characterized by an important way of dressing, from workwear to "roaring" party clothing. From the 1950s, on the other hand, clean lines inspired me, given by the reduction of lapels and designs, an essential elegance. Both decades, in a different way, are united by the desire for refinement in dressing, a rarer phenomenon nowadays, and sartorial art was extremely important, because it had not yet reached today's industrialization levels: everything it was handmade. Furthermore, I take inspiration from family archives and from my travels, and it can come just from a subtle detail. In the case of this last season presented at Pitti, for example, the scarves are inspired by Armenia, even if the red thread of the 20s and 50s style is always traceable.

What do you think is the secret to choosing the ideal tie and scarf?

The scarves and ties that I create and produce are tied to a specific type of customer, who have a personal idea of dressing: they look for our products because they know exactly what they want. In the past 2-3 years I have often talked to online customers who normally, to choose their look, they start from the tie and then combine everything else: this has always surprised me. I therefore believe that the choice is very impulsive, given by one's taste in the designs. From detail to total, a reversed point of view compared to the common one.

What do you think are the values to take up in this industry, and in this era?

Without a doubt, keep and carry on the concept of tailoring, communicate about a different and original, personal design, and try to teach what the product is, from the tie to the scarf, up to the jackets. It is important for us that everyone understand all the manual skills behind each creation and, above all, the difference between a mass production and a tailored garment, from the time taken to make it to those who create it. There is a very interesting anecdote on this last point, which few people know: from June to September I have a drop in production, for one simple reason: my ties are made by hand at home, as in the past, and today as these people are grandparents, since the school are closed and they have to take care of their grandchildren, they all work less. Obviously it is not a drastic drop, but there is! And it's fascinating, it allows me to convey the passion behind these working methods, which reflect on the product and create value.

How is your brand aligning with new sustainability standards?

I have several plans for the future. For sure, the silk and wool we use are already super natural and very precious materials, but we are increasingly passing through structures that use eco-compatible and vegetable dyeing processes and reuse and recycling of water during operations: I try to give priority to these production units instead of looking for companies where the price is lower but there are no certifications, investing in those who want to impact the environment as little as possible. I don't want to use recycled polyesters and materials, because in this case it would mean that my products have been thrown away: I want to create something that remains as an icon for a lifetime, as a collector's piece.

The city of Como is one of the greatest Italian excellences in the manufacturing industry; the capital of silk, where the material has been produced for the last 600 years amongst tradition and contemporary taste. It is right here where Francesca Serafin—a former lawyer who has always been passionate about luxurious and refined fabrics— decided to produce and package the every scarf, tie, suspender and pocket square of her brand, Serà Fine Silk.

Located in Milan, the brand aims to represent Italian culture and craftsmanship, taking inspiration for design and patterns from every beautiful place in the Bel Paese. It does not end there; each product is thought as a stage within a journey, with landscapes but also scents, tastes and unique sensations.

Serà Fine Silk accessories are designed, created and packaged in Italy, by Italians, ensuring only the highest of quality. This search for elegance and uniqueness are embodied in every feature included the sophisticated packaging—navy blue boxes with a golden mirror frame. On the occasion of Pitti Uomo 2020, the founder tells us more.

Where does the passion for silk and the desire to experiment through it come from?

I've been passionate about fabrics since I was a child. At home, we have a huge wardrobe full of fabrics—some of which are fifty years old—and we've always had fun creating clothes and accessories from these materials. Once, I was in a vintage fabric market where I found a beautiful fabric with which I made a pochette for my ex. People greatly appreciated the result, and with some lucky coincidences, I started thinking about pursuing it as a job. The first launch event was a success. I then opened an Instagram account and with the second photo posted, lots of potential customers started to contact me, asking for information. The first sale was in London, the second in Tokyo. Then, I decided to quit my job as a lawyer and focus on this passion for silk.

What are the colors, patterns and prints of your accessories inspired by?

I started making pochettes inspired by Italy considering that every creation is Made in Italy. I care that those who own one with them not only a piece of Italy, but also a memory of our country. We have products that represent places like Capri and Lipari; their colors and their scents. We even have a a collection about the winds that blow across Italy. The new collection we presented at Pitti 2020 follows two main themes. With the first—Italian holidays—each pattern is linked to an Italian city. The second is inspired by Recioto wine from the Valpolicella area where every pochette takes its name from a scent smelt with a sip of the wine.

How much do you think the right scarf or tie can influence a man's style?

I think the accessory itself is what gives personality and anyone can incorporate it regardless of the target or how eccentric a look is. Everyone can give that touch of sophistication and character through a scarf or tie, even starting from a simple and minimal outfit. The pochette, on the other hand, is different since it's not a mainstream accessory and usually, those who include it in their look have an extra eye on their personal style.

Can you mention some of the details that make the difference in daring a high-quality scarf, clutch bag or tie?

The choice of materials is certainly the most important thing, and the fact that our products are called "fine silk" and not simply "silk" already makes us understand the difference. Our silk, for us, is the best. It's from Como, where we also pack all our products. The refinement in the pattern is also fundamental; on all our scarves, we embed a "medal" in the shape of a mirror frame, our logo.

This is because my first display was an empty mirror where we put a fabric with my first four pochettes applied. Within this medal, every customer can embroider their initials because we think that personalization is the true luxury. In addition, we use a particularly rare printing method, so that the front and back of our products are practically identical. Each hem is entirely handmade on every single product, and the back of our tricot scarves is made of silk. All these details cannot be found elsewhere and are synonymous with the highest quality.

Any future plans for the brand?

Certainly the inclusion of new products and a further expansion to reach even more customers in line with our philosophy, who care about products made with the utmost care and attention to detail.

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In the past, in the surroundings of Naples and Salerno, they learned the secrets of haute couture to perfection. Many, some more and some less, with real interest or just out of curiosity, absorbed the techniques and passion for the noble profession to such an extent that, even today, they represent the legacy of an important Italian cultural heritage.

This is the story of the Melillo family who in Montecorvino Rovella, in the province of Salerno, have created a real tailoring hub. The secrets and experience of Salerno tailors have a place and it is there that they have been preserved since 1970. In this place, the master craftsmen still create impeccable garments with a unique fit by hand, the same today as in the past. With surgical precision, they cut and sew tailored clothes thanks to their extraordinary knowledge of human anatomy. Needle and thread together follow the natural harmony of the body giving life to sleeves and armholes, collars and undercollars suitable for every shape and size.

Wearing a Melillo garment means, in fact, choosing a comfortable, convenient garment that is made to suit your figure and enhance it. They are the same needles and threads that, after setting up the infrastructure, enhance the garment with original details, such as buttonholes, buttons and stitching and everything that symbolises the charm of the tailored clothing.

The Melillo family has assimilated the codes of the Italian style from an early age and used them to create refined and timeless collections, aimed at the elegant man who wants to feel special during a ceremony or in his spare time, at work or on the road and, at the same time, at both young and older men, because authentic style has no age.

Melillo 1970 skilfully shapes the fine fabrics carefully selected from companies adhering to the Made in Italy brand because it is the raw materials, together with skilled hands, that guarantee the success of a garment.

Classic jackets, men’s suits and coats are the Melillo products. Micro patterns or checks, pure virgin wool in classic colours ranging from different shades of blue to intense greys, including the colours that, varying each year, interpret the trends of Italian men’s fashion.

Over the years, the Melillo tailoring centre has researched and invested in modern sewing methods that allow the company to create a greater number of garments in less time, namely cutting-edge tools supervised by the master’s gaze and touch. The new Melillo sewing systems have combined the value of hands with the precision of the machinery, without ever having a negative impact on the product.

The production chain of the Melillo 1970 Brand starts by listening and interpreting needs: creating a garment that conforms to the individual’s physical and aesthetic needs is what the company intends to continue doing to make its customers happy.

2020 will see the company engaged in the production of new collections for lovers of the classic jacket for all seasons. What will not be missing in the new proposal? Classic blue, of course. The colour of the year will characterise Melillo garments: an iridescent blue in typical Solaro garments, houndstooth in coats and navy blue for single-breasted jackets.

Maestro Melillo explains his art with simplicity and the importance of the Campania tradition, the “flagship” of Italian craftsmanship, with devotion.

Is there an iconic garment from your maison? Is this an evergreen of your collections?

Of course, the classic jacket/suit is our iconic garment, the star of all our collections. This garment has always involved various stages which are carried out entirely by hand, and that is still the case today. These include blocking the jacket bottoms, the armholes, the collar and the under collar, the buttonholes and the buttons. In this way, we are able to try to respond positively and make our customers happy.

How important is the quality of the raw material for the success and wearability of a garment? How do you select your fabrics?

Quality, together with manufacturing, are fundamental elements for the wearability of a garment. In order to be appreciated by our customers, we focus on the particular processes that we carry out with needle and thread by hand. As for the choice of fabrics, we only turn to well-known and established companies and, above all, Italian ones. Some of these are, for example, Draghi Spa, Carnet, Loro Piana Spa, Fratelli Tallia di Delfino, Reda, F.lli Cerruti and Trabaldo Togna 1840.

Yours is a family business and its history is in tune with those of other traditional Italian artisan businesses. What allows you to stand out from other tailors?

It is our customers who decide and judge our garments and this is what sets us apart from other craft businesses. There are many family-run tailors in Italy and we strongly believe that all of us, in the same way, are committed to giving only the best.

The Campania region is the cradle of fine artisan products, especially when we talk about tailoring. How important is inherited cultural heritage and how important are progress and innovation for remaining competitive today?

The tailoring tradition in Campania? It is the result of sacrifices and traditions which fortunately have been and continue to be handed down from one generation to the next. What still counts to be competitive today are the manufacturing steps that are carried out by hand for the creation of a garment.

Melillo 1970 was and continues to be abreast of the times: what do we expect, therefore, from the next collection? Will 2020 really be the year of Classic Blue?

It will certainly be the year of classic blue. Blue is an easy colour for matching and can be worn on a variety of occasions; it is a very elegant colour and above all it feels good because it gives a sense of tranquility. You must always have blue clothes ready in the wardrobe!

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The tradition and the passion of the Neapolitan family stitched in a glove: this is the story of the Portolano family that, for several generations, has been producing high quality gloves. First in Naples and from the 1970s in Milan, the family has specialised in the production of a single accessory that never faded for true connoisseurs of Italian style and valuable artifacts. A specialisation that led the company, over the years, to the creation of small masterpieces, that is to say, gloves sewn to perfection.  Why gloves? Because when you are born in a place like Rione Sanità, the cradle of glove artisans, it is as if know-how blows in the wind.  On transferring to Milan, Alpo Guanti 1910, a name created from the initials of Alberto Portolano, met fashion and its dictates, and became a sought-after accessory and a resource for great international brands. 

In the past, those who wore gloves belonged to one social group and recognized themselves in a status: the glove as a symbol of nobility and class. Whoever wears artisan leather gloves today, on the other hand, is someone who appreciates their value: the choice of raw materials, the processing of leather, the succession of steps that make up the production process, needle and thread and the machines, has always remained the same. All elements that make each glove exclusive and, above all, not identical to the previous one. People who wear Alpo gloves do not just want to keep their hands warm, they recognise the talent, the beauty of Italian craftsmanship and distinguish the comfort and fit of a tailored product.

Although the company has existed for a long time, it has nevertheless picked up “the gauntlet” of innovation, accommodating developments and changes that arise from time to time. It is not easy to try to respond to the needs of the younger end of the market and for this reason, the company experiments with new shapes and new fabrics, while always leaving room for classics, such as elbow-length leather gloves.

Every year Alpo offers collections for men and women that reflect trends starting from colours and materials and enters the international fashion scene at the same time. In a process of exchange Alpo is inspired by and interprets the major players and, in turn, they are attracted to Alpo thanks to the knowledge of processing it holds. Simple and linear leather gloves or elaborate, elegant and refined gloves for ceremonies and festive occasions, with fur inserts or buttons; gloves designed and manufactured to perform various functions; gloves for young customers or adults…gloves for all hands created to be comfortable and beautiful. 

The Bourbon Naples preserved in the district of Totò resists and lives on in the taste and culture of the glove craftsmen like the Portolano. ALPO gloves embellish hands all over the world, spreading style and refinement for centuries. The Milanese atmosphere has amplified the sound of Made in Italy craftsmanship making it palpable, greatly admired abroad and by fellow countrymen who do not intend to renounce “Italian” elegance.The words of Giorgio Portolano, a young descendant of the artisan family, show the passion for a profession that has become more and more obsolete and remained in the hands of only a few Italians. And not only that, Giorgio also gives us a glimpse of confidence, certainly generated by the awareness of producing, as in the past, very high quality gloves.

From the historic capital of the glove to the modern capital of Italian fashion. What has the Alpo glove kept of Naples and what has it absorbed from Milan?

The ALPO glove was created in Milan in the 1970s following the tradition and passion of the Neapolitan family. When we found in Brianza what was left of a large glove factory (it had 100 employees in the 1950s), we already had in mind to resume the techniques, steps and "tricks of the trade" of the Neapolitan tradition. Then, having offices and showrooms in Milan, in the 1970s and 1980s we exploited the great development and enthusiasm of international fashion, producing for the most important stylists in the world.

The history of costume tells us that the glove has very ancient origins: it appeared with the Egyptians and the Lombards, then in the Middle Ages, where only the nobles and the clergy wore it. Who wears an artisan glove today? Could it still be considered a status symbol? And what is the age range?

People who wear gloves like ours today are people who understand the quality of the product, the difference between a low-cost glove (which only serves to warm the hands) and a product made with selected raw materials and worked with skillful craftsmanship. They are people who want to wear a garment different from the others, a garment that stands out for its beauty.
Brown nappa Leather gloves with cashmere lining Brown nappa Leather gloves with cashmere lining

Alpo Guanti

Brown nappa Leather gloves with cashmere lining

110 (TaxFree: 90)
Out of Stock
Light brown Shearling Gloves Light brown Shearling Gloves

Alpo Guanti

Light brown Shearling Gloves

129 (TaxFree: 105)
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Tell me about the Alpo 2020 gloves collection: what's new? And, on the other hand, what are the inevitable classics?

The news for 2020 concerns above all the need to respond to demands, to climate change and to a constantly evolving fashion. We are making more and more gloves, very special garments. We are constantly looking for new materials and colours to meet every need, obviously it is very helpful to collaborate with many brands from which we take some input. At the same time we are tied to our origin and our classics, like the long glove to the elbow in leather, perhaps in more special colours for 2020.

How can you be innovative, when you make "traditional" gloves?

Our processing method has remained unchanged and since there are no new machines for sewing new models of gloves, we must always look for innovation in the garment, such as the touch screen gloves made in leather treated with graphite that allow the user to operate their mobile phone while wearing our glove.

Drawing on the secular experience of your family, can you say that even the glove, like other historical garments, has undergone the cyclical nature of fashion? What are your future forecasts?

Unfortunately, the cyclical nature of fashion has not followed a good path: in fact our sector has suffered a lot from the fact that many brands have gone to produce gloves in countries with low labour costs, adding only their logo. In any case, we always believe that in this total confusion there remains a space for those who appreciate the quality and passion we put into our product.

SHOP THE ARTISAN

The protagonists of this all-Italian story are trousers, the male leader par excellence and symbol of freedom and conquest for women after a millenary struggle for emancipation.
An iconic garment that, as often happens, was created as a practical work garment. Wearing trousers today is a custom, it couldn’t be more normal. Elegant trousers, evening trousers, comfortable trousers, trousers that stop just above the ankle, jeans, and so on. An infinite number of models each representing a style, trend, period, personality. Wearing tailor-made trousers on the other hand is a luxury, almost a slice of fortune. Only those who believed in handmade value could understand and those who have done so, most of the time, do not look back.

Massimo Corrado, artisan maker of trousers from Campania, is a witness of the High Fashion of the 1900s. Born and raised in the family fashion house in Orta di Atella near Naples, he has consumed that productive atmosphere since childhood, absorbing the inspiration and creativity that, in the laboratory, gave life to garments of the highest quality and of unmistakably Italian style. After years of experimentation and working far away from the magnificent Gulf, in 2010 Corrado supported his need for tradition. To go home and make men’s trousers “like in the old days”.

His congenital knowledge of noble art, enriched by his experiences in other places, inspired him to create trousers from the past yet for a contemporary client. Pins and a high waist enshrine a retro style and a classic fit that people just like more and more. “I’m inspired by Cary Grant and the elegance of 1950s Hollywood cinema,” says Corrado. His boss’s strong point is the story he tells. Trousers designed and made to dress the modern man, attentive to the quality of the fabrics and that do not renounce comfort, while wearing classy clothes. And what is elegance without nonchalance? The V opening on the belt, the elasticity of the chain stitch and the containing band of his high-waisted trousers are devices applied by the designer to ensure comfort and sophistication even during working hours. A sensitive connoisseur of the trends that cyclically follow one another in terms of fashion, Corrado focuses on the timeless classic style, that eternal desire to feel elegant every day, even on the metro. 

To support change and not to undergo it, while remaining devoted to a cultural heritage, that is the real revolution. Corrado does this every day, in the shadow of Vesuvius, in a place where there is no need to explain beauty because it is in everything, in the faces and alleys of a “tailor-made” Southern Italy.

Why exclusively design and make trousers and not another item of clothing?

Because I was born in a trousers factory. My family started this business in '64. When I was very young, I used to play in the lab when I was five years old. My parents, not knowing who to entrust me to during working hours, took me there and I, imitating my father and my uncle, played at pretending to sew and cut.

After various experiences elsewhere and also working for major textile and fashion brands, I believed in the value of tradition. I wanted to get back to what I already had in 2010. Then, over the last five years, classic trousers have come back into vogue: if before they were worn exclusively with your jacket, today classic trousers are stylishly combined with a pullover or a T-shirt. Once upon a time it was really out of the ordinary to think of trousers without a jacket.

Making a garment for Massimo Corrado is almost a heroic undertaking, a meticulous and precise job: a pocket for change, a shirt-stopper, a V-belt, and other unique details. His is a very demanding approach as far as trousers are concerned. Right?

Yes. I was the first wearer, the guinea pig for my own trousers. I wondered how I wanted to feel with my trousers on, what I wanted to keep in my pockets, how I wanted to feel when I sat down and how I wanted to look outside. After these considerations, some special elements and finishes came out: on the top of the right pocket, there is a pocket for coins with a clip to keep banknotes; a strip of silicone to hold the shirt in the trousers and not let it become untucked; the V belt at the back that allows the man to sit without a feeling of constraint; the side buckles, inspired by the '50s, to widen and tighten the trousers over time. Not to mention the kneepad, an inner lining placed in the direction of the knee to avoid creasing the final tissue when sitting. Thanks to all these details, my trousers can be worn every day because they are a comfortable garment.

What are the fabrics and materials Massimo Corrado loves? What do you choose for your customers?

We only process noble fibres and mix them with noble fibres: wool, cotton, silk and linen. A choice of quality and style... but also of sustainability. As a matter of fact, not only the fabrics that I use are natural. The choice of buttons also is for those not made with synthetic materials. And then there's the packaging: I don't use plastic and thin sheets of cellophane to pack my clothes, but cardboard boxes because they lend themselves well to differentiation and are also a beautiful piece of decor and can be recycled, for a new purpose such as, a document holder for instance (they are the same size as an A4 sheet).

What will we see in the new Massimo Corrado winter collection? Will there be any novelties and what colours will be chosen?

Strong colours and shades typical of nature. Flannel, cotton and velvet in autumn colours: from yellow to ochre yellow, from brown to maple leaf red. These warm shades are contrasted by the countless cold shades of blue and snow-white, especially in the rocky velvet trousers, a wide ribbed velvet, widely used between the '60s and '70s, which I wanted to bring back from the past.

The global market and its product: how important are quality and the Made in Italy brand?

The global market was an inevitable process, fatal for many small and medium Italian craft shops. I think it's a completely positive phenomenon (even if we Italians don't know how to interpret it). Just think: my customers are men; they are usually around the age of forty years old and have an average-high willingness to spend. Considering the number of inhabitants in the world and the fact that all Italian craftsmen produce real excellence, I could say that I have 800,000 potential customers!

The role of communication and new channels, such as social media, has shortened distances. This has been and will be a huge advantage for us Italian creators.

Three tests, thirty hours of work and twenty-five steps to create a G. Inglese shirt. High-quality fabrics, classic patterns and retro style, stitched together with silk thread, dress the elegant and vintage-addicted man of the 21st century. A palette that captures the colours of the Mediterranean: blue, beige and white with all their wonderful shades, colours that identify the place of origin of the creator and his art. An art, that of Angelo Inglese, which although imbued with terroir, goes beyond the four high walls of the historic Palazzo in Ginosa, home to the designer’s workshop and headquarters, every day. The place where everything starts and where it all comes back to, but also the place that inspires and awaits it.

Founded in the 1950s with Angelo’s grandmother and father, today Sartoria is the third generation of artisans thanks to scrupulous work transmitting the values and know-how within, between members of the family. Sewing tailor-made clothes is a gift, and the Inglese family has learned to treasure it: it means understanding and interpreting each person’s need for Beauty and producing a customised creation with their own hands. From his grandmother, Angelo inherited his love for shirts: Giovanni’s mother made works of art. Today, with the method and rigour of the past, while leaving room for textile experiments and unconventional combinations, Angelo creates shirts and outfits with surprising aplomb. An attitude to innovation that crosses the eye of tradition.

Striped and checked fabrics are also reinterpreted, as is denim: a fabric with poor and proletarian origins that, skilfully cut by hand and sewn, becomes the raw material for a garment of quality and extremely high aesthetic value. A rigid fabric, difficult to work with—but not for the Inglese artisans’ hands. The real Made in Italy is preserved in artisan workshops like Sartoria G. Inglese, and Angelo, aware of his good fortune, has become a spokesperson. In the same way that an ambassador represents their nation abroad, the designer describes the elegance and quality of the Italian product beyond borders.

A story so fascinating that it has become a cultural attraction for its Tarantine city of origin. The atelier, theatre of authentic Italian craftsmanship, has become a reference, a niche destination chosen by Puglia for a new tailoring tourism. Getting to know the tailor’s ancient craft means sensing the smells of fabrics and steam from the iron, hearing the noises of the scissors and the mechanical hiss of the pedal-powered Singer; a sensory experience that immerses the visitor in a dimension. An experience in which the search for detail is the value that makes the difference, and which Angelo Inglese spoke to us about. 

Where does the G. Inglese style come from, and what influences and characterises it?

The G. Inglese style was conceived from an idea of classic tailoring, but refreshed and adapted according to a logic that derives from the archive which is, however, rendered contemporary by revisiting iconic ideas and vintage garments. It draws on the winning idea of vintage, which is very popular today. The tones of the Apulian territory influence the tailored style, along with pivotal colours such as beige, white and denim blue.
The processes are also important, such as the range of denim washes. We are among the few tailors, if not the only one, to custom-make denim garments, given the difficulty of processing, due to the material altering during the various stages of creating the garment. We produce shirts and jackets with special techniques. Our jackets, in particular, look like structured garments, but in reality they have nothing inside, which gives them a unique lightness.

All of your products are made with numerous phases carried out by hand, many of which make the garment truly exclusive. What characterises G.English products for the upcoming Winter season? What inspired the collection and what makes it special?

The collection is the result of research on fabrics, from the idea of adapting particular fabrics to different garments, to obtain unconventional creations. The use of embroidered fabrics, special cashmere cloths, velvets with cashmere linings, cottons dyed with the colours of the territory are also important. The numerous manual operations, which are a G. Inglese tailoring standard, represent added value that enriches the particular garment models. Meticulous research in the archives led to studying the placement of stripes and checks on the shirts.

How important is experimentation and innovation to you?

In a global world that runs faster and faster, reference to tradition becomes innovation, to use innovation to make tradition known is my motto. The tailor's shop combines the use of modern technological systems with the use of 19th-century looms, used to weave some products of the varied G. Inglese offer.

We are developing a project based on augmented reality, going beyond the possibilities offered by the more conventional body scanners, an innovative system to open the doors of workshops to customers who are 10,000 kilometres away, allowing a more direct and less impersonal relationship than that offered by the common user-screen interaction. This project really allows the tailor to work with customisation, interpreting the garment according to the customer's shape and taking their individuality into consideration. The doors of the workshop are also opened to the customer, offering them the possibility of following the various stages of the work.

Do you consider it important for an activity like yours to invest in environmental sustainability? Are you actively engaged in this?

We have always addressed the issue of sustainability, with a particular focus on avoiding waste, both of raw materials and energy sources. The design of the new headquarters involved the use of cisterns from the ancient rainwater recovery building to be used to wet the fabrics. (note headquarters, however, not established due to impediments). Respect for the environment can also be found in small gestures and non-trivial ideas, such as the recovery of remnants, which are then used to create a bag for a company's pasta, thus giving life to original packaging, each one different from the other. We also use dyes made from herbs planted and grown in the tailor's garden.

Organic cotton and linen have been used for our garments for a long time, even when the costs were very high.
Another project set up as a result of attention to the environment is based on the recovery of sheep's wool. Sheep's wool, classified as special waste, was burned, abandoned in streams or buried. Thanks to the collaboration with Pecore Attive di Altamura, sheared wool is recovered in the region of Puglia, then woven on hand looms into jackets. The commitment to reducing the environmental impact, even if uneconomical given the artisanal work and the small amounts involved, is nevertheless gratifying.

On the Canclini and your tailor's social networks, we found out about a collaboration between the two companies. Can you tell us something about this project?

G. Inglese tailoring is not new to collaborations of this kind. A capsule collection of fifteen unconventional designs has been developed with Canclini, characterised by nuances and special combinations, based on the 1950s Oxford style: stripes for connoisseurs. Now the sale of the zero collection is starting, beginning with Milano Unica, a limited edition aimed at luxury tailors, online and private platforms, eager to buy their own cut and then turn to their trusted tailor for making up the garment.

Shop the Artisan

As every year, with the arrival of January, not only does the new calendar year start, but also the so-called fashion month, one of the most demanding periods of the year for professionals in the fashion world as well as for enthusiasts looking for next-style pieces to include in their wardrobe. The 2020 edition of Pitti Uomo 2020 attracted some of the best dressed men in Italy and beyond with its classic elegance and slightly eccentric details.

A month of fashion shows and presentations are inaugurated by men’s collections, starting from Pitti Immagine Uomo, the menswear show that has now become a global reference point for buyers, publishers, trendsetters and, of course, the stars of the show: the artisans. Despite the fact that this is a fashion week, the Florentine kermesse has little in common with the events in Milan, Paris and London. The event is a celebration of creativity— yes—but also and above all, of sartorial genius. This spirit of attention to detail is well-reflected not only in the fashion collections on the catwalk and in the clothing presented at the show but also in the street style of those who participate.

No wonder, then, that Pitti Uomo is also a real gathering of the best dressed from every continent. Dozens are impeccably dressed according to terms of formal elegance and through the most extravagant, the most eccentric details—though with a riskier and more experimental approach.

Near Florence’s Fortezza da Basso during Pitti Uomo 2020, one could have expected a bit of, well, everything. Long traditional outerwear, such as Prince of Wales coats, match with tailored cotton trousers and a tie in the same colour. Short and double-breasted versions as well. Timeless navy blue coats, combined with a neutral and versatile wool jacket and trousers. Modern dandies inspired by sophisticated patterns, ever synonymous with high-class men, such as the single or double-breasted pied de poule in outerwear. Timeless shirts like a blue one are a must-have in reinterpreting and reviving fanciful silk ties.

Here are our favorite shots of the best street styles spotted at Pitti Uomo 2020.

Photography Christian Erra for Barròco. 

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G Inglese Silk Shantung Tie with brown background G Inglese Silk Shantung Tie with brown background

G. Inglese

Hand-refined 100% Brown Silk Shantung Tie

129103 (TaxFree: 84)
Out of Stock

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